Nikon camera control pro 2 youtube free.Nikon D5300 Review

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Camera Control Pro 2 - Full Version (Boxed) - What's new and how it compares

 

It gains more processing power to add improved autofocus and a few other tweaks to an already well-rounded feature set. It is available now. The Z6 II is a subtle refresh of the existing Z6, extending the capabilities a little, but offering a mostly similar, well-rounded stills and video feature set.

In terms of hardware, the main difference is that the mark II gains a second Expeed 6 processor, with most of the performance and feature improvements stemming from this additional processing power.

Nikon says the autofocus performance has been incrementally improved over the original Z6, but the most notable feature change is the addition of face and eye detection both human and animal to the wide area AF mode.

Previously these features were only available in 'Auto' area AF, meaning the camera decided where to focus. By adding them to wide area, you are able to narrow-down the region in which that camera hunts for faces, giving you a way of pre-selecting the face you wish to focus on. Nikon says the focusing system now works in light as low as And that's without using the low light AF mode, which extends AF to light levels a further two stops lower, at the expense of longer acquisition speed.

The Z6 II's maximum burst speed tops out at an impressive 14 frames per second, but only if you use a single AF point and you're willing to shoot JPEGs or take the slight dynamic range hit of shooting bit Raws. If you want the camera to choose an AF point or track a subject, it shoots at a still very respectable 12 frames per second.

This higher rate footage will come from an APS-C crop of the sensor, and will only be available for internal capture. An optional paid upgrade enables a bit line-skipped 4K Raw stream can be sent to an external recorder to be encoded as ProRes Raw or, after a February firmware update, as Blackmagic Raw. The viewfinder in the Z6 II is the same 3. Nikon points out that the optics and coatings are of its own design and says it's decreased both the refresh lag and the blackout time between shots.

However, the company hasn't put a number on either improvement. The Canon EOS R6 is the outlier: priced at a higher level but offering better specifications though it can't always deliver the full promise of its video capabilities. We haven't included the Sony a7C here, since it seems more focused on compactness than being an enthusiast's main camera, but its specs are similar to the Sony a7 III's, just without the AF joystick. The body and handling of the Z6 II is basically the same as its predecessor, which means it remains a solidly built camera with a comfortable grip.

The weather-sealed body is primarily constructed from magnesium alloy, providing a good balance of weight and solidity. The grip itself is comfortable and the front and rear dials very well positioned so that they are readily accessible when you're holding the camera.

There are two customizable Fn buttons next to the lens mount, which can be configured independently or set to perform paired functions such as aperture open and close during video capture. Although the spec of the Z6 II's viewfinder isn't particularly stellar by standards, the camera does at least use its resolution to its full potential there are rival cameras with high dot-count finders that then drive the screen at lower resolutions.

We haven't been able to shoot much sports to test the EVF refresh rate, though Nikon says that compared to the original Z6 there's less blackout when you take a shot.

We find we prefer the two-axis screens used by the likes of the Fujifilm X-T3 for stills or a fully articulated screen for video.

The camera's menus are consistent with most Nikon cameras made over the last decade or so. This means the menus are quite dense with options but the key 'Customs Settings' section is well arranged and color-coded, which makes it easy to navigate.

A My Menu tab can be configured with either your preferred options or a list of your most recently used options. The camera is compatible with earlier EN-EL15 batteries but will perform much better with the more recent versions. USB-charging is only available with the type b and c units. The camera is rated as delivering shots per charge if you use the rear LCD and shots per charge if you use the viewfinder. As always, these ratings are based on very challenging usage, and it's not uncommon to get at least twice as many shots per charge in practice, depending on how you use the camera.

We tend to find a rating of around is sufficient for a day's committed shooting or a weekend of fairly active photography, but not enough for something as photographically intense as a wedding without charging and carrying spares. If you need more than this, you can power the camera over its USB-C socket or add the MB-N11 battery grip, which provides space for a second, hot-swappable, battery.

Our test scene is designed to simulate a variety of textures, colors and detail types you'll encounter in the real world.

It also has two illumination modes to see the effect of different lighting conditions. The Z6 II's image quality is indistinguishable from that of its predecessor, including at in low light, at high ISO settings. This is to say the Raw files have plenty of detail with the Z 85mm F1. JPEG color appears good, with warm, rich yellows and greens. Pinks lean a fraction towards magenta, rather than the orange that produces such pleasing skin-tones in Canon's rendering, but it's less noticeable than with Sony and Panasonic.

The camera's sharpening is a touch more crude than its rivals: the Canon R6 is showing finer detail despite its lower pixel count, and the Sony a7 III pulls out more subtle detail from its very similar sensor.

Noise reduction is pretty good but blurs edges a little more than the competition, which means lower apparent detail. The camera has an 'Auto' shutter mode that uses electronic first curtain at shutter speeds where shutter shake could appear, then uses the mechanical shutter to both start and end the exposure for very short exposures.

The prevents the glitch that electronic first curtain shutters exhibit with bright lenses at fast shutter speeds, that causes part of the bokeh circle to get chopped-off. As such the low ISO settings where the higher gain step would cut into dynamic range are inherently a little noisier. The difference isn't huge, though: even in the low-gain mode the sensor is adding very little noise to the image.

It also means that, instead of using a very high ISO setting, if you want to protect highlights, you can use the high ISO exposure but keep the camera at ISO , where the higher gain is used: there's little-to-no noise benefit to increasing it above that point.

Our Exposure Latitude test emphasizes how little noise the camera's sensor and electronics are adding. Even if you reduce exposure significantly, to capture additional highlight information, the Z6's images are at least as clean as any of its peers.

And there's no sign of the AF banding that could appear in the very very deep shadows of its predecessor.

Autofocus performance and usability has become one of the key areas of difference between the latest mirrorless cameras, and the Z6 II is strong in both respects, but still a little behind the best in its class. Instead of the human and animal detection modes being a separate setting, they're now accessed as variants of the Auto Area and Wide-Area AF L area modes. This means you can use the 'Wide Area AF Large - People ' mode to select where in the frame the camera should focus and look for a face, so it's possible tell the camera to focus on a specific person or focus on a non-human subject, without risk of it getting distracted by other faces in the scene.

You'll need to keep the box over your subject if they move too far, though. Subject tracking mode is activated with a button-press from the Auto Area modes. It gives you a focus box that then tracks a subject when you half-press the shutter button. This is distinct from face detection: you can either use face detection or the subject tracking mode to follow your subject but, unlike some of its rivals, the camera won't utilize face and eye detection if the subject you ask it to track is human.

This makes it more important to change your AF mode to suit your subject: rather than the camera automatically using its full capabilities on whatever you point it at, as Sony and Canon's latest systems will.

We conducted our standard AF tests, first checking the camera's ability to refocus on an approaching subject, then asking the camera to identify a weaving subject and choose an appropriate AF point, too.

These tests were shot using the Nikkor Z mm F2. In addition, while this tracking performance appears similar to that of the original Z6, we've found the mark II seems better at fixing on a subject if you set the focus subject and recompose, where the older camera would sometimes drift off your intended subject.

In terms of tracking people, the Z6 II does a good job of using eye detection, face detection or just staying focused in roughly the same region, if your subject looks away. But, perhaps because human detection and subject tracking can't work together, the Auto Area mode will sometimes find a more compelling subject if your intended target isn't recognizable for a while.

In terms of Eye AF, we still find the camera will occasionally focus on the eyelashes instead of the eye itself and, like most systems, doesn't judge focus quite as well when the subject is wearing glasses. Overall, though, we found Eye AF to be the most reliable way of getting perfect results rather than pinpoint AF or manual focus.

AF in video works very similarly to that in stills, both in terms of operation and performance, which is something not all its peers manage. We've found the tracking to be very dependable more so than the original Z6 , with a decent amount of control over AF speed and willingness to re-focus.

In quiet situations the stepper motors used in most Z lenses risk contributing a tiny bit of 'chatter' to the internally captured audio, and there can be occasional overshoot as the camera refocuses, but for all but the most demanding work, it's one of the most reliable video AF systems. Ultimately, you can expect the Z6 II to perform well in a wide variety of situations.

If you're used to the behavior of an older camera, the AF is likely to seem excellent. But there are rivals that are that bit more dependable and that make the whole process simpler. The Z6 II is a pretty adept video camera. In its favor, though is an intelligent separation of stills and video settings. Out of the box the camera will use different exposure settings for both modes, but in almost every other regard, you get to choose whether video mode should take its settings from stills mode or use its own, distinct values.

This means you can just jump across and use the same white balance, if you wish, or use a preset value for video that won't then mess up your stills. Add to this a pretty capable video AF mode, that works more similarly to stills mode than many of its peers, and you have a camera that makes it easy to shoot casual clips or shoot high quality stills and video back-to-back.

The camera's Raw video stream is sub-sampled: skipping pixels to deliver 4K output from its 6K sensor, but we'll look at that in more detail in a separate article. The Z6 II is an extremely capable camera that will support the photographer in almost any situation you throw it into.

It's comfortable to use, takes great photos, has a highly effective AF system and can be used to capture very good video footage. It's not a huge step forward from the original Z6 but the ability to add a battery grip with vertical controls, and the addition of a second card slot only help to expand its already broad-ranging ability.

With these changes and the various small improvements we've seen, we can recommend the Z6 II for everything from family photography to weddings and sports shooting. However, while it does very well in most regards, it's noticeable that there are cameras that offer comparable AF performance with less need to switch modes, and others that offer more flexible bit video footage without the need of an external recorder, for example. The occasional faint chattering of the Z-series lens motors and the split-second hunting that precedes a big change in focus distance serve as reminders that 'very good' is the minimum required just to remain competitive in The Z6 II's ergonomics are superb, the menus are generally well organized and, AF foibles aside, it's a very enjoyable camera to shoot with.

Battery life might impinge on your experience on long shoots or during extended periods of video capture, but generally it's an easy camera to live with. It's a camera very much worth considering, but one that doesn't stand out from its rivals in any particular respect. This breadth of capability takes the Z6 II beyond the likes of the D and D two of the best DSLRs ever made, when they were launched , but against competition that's just as good, it doesn't dazzle to the degree necessary to gain our Gold award.

But the Nikon's video is still very good and exhibits less rolling shutter, the AF performance is broadly comparable, and the range of F1. Your individual needs or ergonomic preferences are likely to swing this decision more than either camera being decisively better. Sony a7 III : the Sony offers a wider range of lenses and significantly better battery life, but doesn't have the latest AF refinements that would help it stand out from the Z6 II.

The Nikon has a nicer viewfinder, better video autofocus and ergonomics that we overall prefer. The very similar Sony a7C offers a size advantage over the Nikon but we prefer the Z6 II unless you really need that extra portability.

Panasonic S5 : there are a lot of similarities between the Z6 II and the Panasonic S5, in terms of price, feature set and sensor performance. The big distinction is AF performance, with the S5 falling behind, particularly in terms of video autofocus. But as an all-rounder, the Nikon would be our pick. We make the originals available for private users to download to their own machines for personal examination or printing in conjunction with this review , we do so in good faith, please don't abuse it.

Scoring is relative only to the other cameras in the same category. Click here to learn about the changes to our scoring system and what these numbers mean. Eye AF works okay.

 

Nikon | Download center | Camera Control Pro 2

 

JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. My Account. Login Create Account. Specifications Compatible Products. Youtbe to the beginning of the images gallery. Нажмите сюда stock. Add to Wishlist Add to Compare. Add to Cart. Camera Nikon camera control pro 2 youtube free Pro 2 software enables remote control of the settings on most Nikon cameras. Connection between the computer and camera may be via USB cable, or through wired or wireless Смотрите подробнее using a wireless transmitter.

Advanced camera features are supported including LiveView, Picture Control system and the Viewer, which collectively enable the preview and selection of images prior to transfer to a computer. Nikon camera control pro 2 youtube free also supports workflows from Nikon's exclusive photofinishing and browser software. Remote nikon camera control pro 2 youtube free of most Nikon digital SLR settings, including exposure mode, shutter youtune and aperture, from a computer.

Operation by wired and wireless LAN when using a wireless transmitter. Direct transfer of images from a camera to a computer and workflow management of all procedures from shooting to saving images. Enhanced Viewer function enables thumbnail display of images stored on a computer. Images on a camera buffer can nkkon confirmed or deleted with thumbnail or preview display on a computer prior to transfer. Supports LiveView modes Hand-held and Tripod where the camera sensor is used to provide a real-time preview through the objective lens.

In Tripod mode, remote selection of the desired autofocus point devil may cry 4 full pc game free possible. Supports the Picture Control system which /19599.txt image parameters to be selected and adjusted on a computer, and custom curves tone compensation data to be created and saved back to the camera.

Compatible Products. D, ViewNX. Enjoy peace of mind with a 2 year warranty period. Need assistance? Get in touch today. Facebook Instagram YouTube.